Since then, the ongoing collaboration project has been presented 25 times, in 11 countries around the world, and has received 2 prizes: a Milano Design Week award and the Slick Art Fair’s collector prize.

Today is the opening of a new version at  Rome’s Museum of Contemporary Art.
The group show, entitled I Belgi – Barbari e Poeti, and presented under the patronage of the king of Belgium, features some major modern and contemporary Belgium artists among which: Berlinde De Bruyckere, Wim Delvoye, Jan FABRE, Panamarenko, Pierre Alechinsky and many more…

I Belgi – Barbari e Poeti
MACRO, Rome, Italy
15.05.15 – 13.09.15

MACRO, Museum of Contemporary Art / Rome / Italy

We would like to thank all the people and organisations that have supported us in these last 3 years.

Thanks to : Antivj, Nicolas Boritch, Mapping festival, LKFF Art & Sculpture Projects Gallery, Millumin, Scopitone Festival, Imal, STRP Biennial, Nemo festival Paris, Bozar Electronic Festival, ElectroniK Festival, ShinyToys Festival, Mirage Festival, EMAF Festival, Nuit Blanche Metz, Mira Festival, Digital Choc, French Institute of Tokyo and Kyoto, Slick Art fair, National Taiwan Museum of Fine Arts,  Nuit Blanche Brussels, Atsuko Barouh Gallery Tokyo, Logotel, Oddstream Festival, LUX Scène Nationale de Valence, SAVE Festival, Reversehead, Fédération Wallonie-Bruxelles, Matthieu Safatly…

Recent exhibitions:

LUX / Valence / F / 21.12.2014 – 07.03.2015

STRP / Eindhoven / NL / 20 – 29.03.2105

“While the passage of time seems to accelerate every day, Fred Penelle and Yannick Jacquet offer a pause, a suspension, a breath. A strange mechanism stretches across the wall, populated with shadowy chimeras. They are mysterious and yet somehow familiar. Is this a laboratory experiment or the plan for a future network?
Minutely constructed like a fine clock, it traces connections, routes, genuinely-false, looping itineraries, inviting escape, inviting dreams. The narrative is deconstructed like a thousand-storied film script. Every effort is made to lead astray, to turn around, to forge ahead. Time is shredded, decomposed, lost…and yet everything references it.
Mécaniques Discursives is like a parenthesis between two epochs: Gutenberg’s and Big Data’s. By contrasting the oldest form of image reproduction (woodcutting) with the most recent digital technologies, the installation straddles centuries and contracts time.”

Certain artistic collaborations seem self-evident, a synthesis that transcends practice and brings out the best of each individual. The Mécaniques Discursives project, which we’ve been working on since 2011, derives from such an intense collaboration. Three years of research and experimentation, accompanied by twenty exhibitions across Europe and Asia, have allowed us to continually perfect our infernal machines.
After these numerous exhibitions, we thought it would be interesting to take stock of our collaborative practice by filming a documentary that presents the project from behind the scenes and explains, in part, the thought processes and research that underpin it.

The future direction of the project has already been set: engines and physical movements have recently been added to our vocabulary as the installation becomes more sculptural, particularly through the integration of wrought-metal animated elements.

An exhibition at the National Taiwan Museum of Fine Arts gave us the opportunity to develop our project as a polyptych. We will be continuing to explore different, smaller standalone formats alongside the in-situ installation.

From the end of December until March 2015 a new site specific version of the project will be presented at Lux (Scène Nationale) in Valence, France. We will exhibit a very large version of the installation, taking over two floors of the building. We hope it will mark the first in a series of large-scale installations.

Yannick Jacquet, Fred Penelle

Prizes
- Winner of the Milano Design Week Tech Award as part of the Timescapes exhibition
- Winner of the Art Collector’s Prize – Slick Art fair 2013 / Brussels / B

Past exhibitions (selected)

- National Taiwan Museum of Fine Arts / Wonder of Fantasy / Taichung / TW / 2014
- Milano Design Week / Spazio Logotel / Milano / IT / 2014
- Digital Choc 2014 / Institut français du Japon / Tokyo / JP / 2014
- Atsuko Barouh Gallery / Tokyo / JP / 2014
- Nuit Blanche Metz / F /2013
- LKFF Art & Sculpture Projects Gallery / Brussels / B / 2013
- Slick Art fair / Brussels / B / 2013
- EMAF / Osnabrueck / D / 2013
- Nemo / Paris / F / 2012
- Bozar Electronic Festival / Brussels / B /2012
- Scopitone / Nantes / F /2012
- Mapping Festival / Geneva / CH /2012

More info at: www.antivj.com/md
Contact: hello(at)antivj.com

Since then, 3Destruct has been exhibited in Mexico, Russia, Switzerland and France.

In the summer of 2013 we were invited by the Berlin Atonal festival to present the piece at the Kraftwerk berlin, a former power station in Berlin’s Mitte. Disused in 1997, this piece of Berlin’s industrial history which used to power the former East regions of the city, is now converted in an exhibition and event space. During our scouting visit we were immediately seduced by this cathedral of concrete where giant pilasters and steel girders create a scenery of post industrial uchronia. The ideal set for a piece such as 3Destruct.

Thanks to a high standard an uncompromising music programming the event was a real success.
Murcof + Simon Geilfus’s live performance, another project of the Antivj label, was also presented during the festival.
We are taking this opportunity to present you this new take on the installation, and to announce that 3Destruct will be back in Berlin, this time at the Opernwerkstaetten, from April 10th to May 25th 2014 during Photography Playground.

Next exhibitions:
Photography Playground, Opernwerkstatten, Berlin April 10th  - May 25th 2014
Micro/Macro, Gare St Sauveur, Lille, Sept 1-15th 2014

This project began shortly after Imandril contacted me via facebook to tell me he like my work and would love to work with me in the future. After this first contact, I visited his website to see his work that I didn’t know before. I fell in admiration of his mastery of drawing, composing and his preciseness. I very appreciated his detailed cityscape so precise that you can zoom into almost indefinitely as a fractal. Though using different techniques of expression, I immediately saw that our works are both heavily influenced by architecture and I immediately imagined a possible collaboration.

We wanted to mix our artistic practices to achieve this project that blends 3D animation and drawing. To do this we used the technique of “2D mapping” or “reverse mapping”. (An article in this blog is planed in a near future to explain this technique). One of the pioneers of this technique is Joanie Lemercier he use it in several personal project like “Live Painting – Shackleton”. Before this project I had not really experienced this technique which I like very much. This collaboration was the perfect opportunity

The idea was to show the passing of a day in an imaginary city in fast-forward. We wanted to puts the spectator at the summit of a tower facing a huge “world city”. We wanted to mix various architectural influences to create a dystopian city strangely familiar but impossible to locate. Thomas Vaquié made the sound design to enforces this « disturbing strangeness »

Mandrill and I really like science fiction and anticipation tale. We were quite inspired by movies like Blade Runner, Amer Beton, The 5th Element or book as 1984 (George Orwel), Brave New World (Aldous Huxley) Fahrenheit 451 (Ray Bradbury), The Città Invisibili (Italo Calvino) and many more

The project was presented for the first time at the “Mapping Festival” of Geneva in May 2011.

Legoman (3D animation)
Mandril (drawing)
Thomas Vaquie (sound design)

Shot and edited by Jerome Monnot
(additional footage by Yannick Jacquet)

The 3Destruct project started in 2007, inspired in part by the wide-open yet claustrophobic space of an underground car park that the Biennale of Contemporary Art of Louvain-la-Neuve in Belgium had offered. Since then, the project has been presented in other festivals: Mapping Festival in Geneva (2007); Image Radio, Eindhoven (2007), 100% Montpellier (2008); most recently Yota Space in Saint Petersburg (2010).

An installation that occupies its host space in a particular and demanding manner, staging it requires finding the right venue. Since seeing the original Biennale presentation, the curator of the French festival Scopitone, Cedric Huchet, has been looking for that venue. 2011 saw the festival partner with the large former biscuit factory Le Lieu Unique, and in that space Cedric finally knew he had the perfect opportunity to host 3Destruct.

Allocated in an old workshop with industrial architecture typical of the late 19th century, we worked over a week to adapt the installation to this new space. As well as the expected issues of scale and placement, we had to update the whole projected sequence to eliminate all horizontal lines which we found just weren’t looking right especially in the more minimal sequences with the particular material used for this staging. Its a piece with real dynamic range and we had to keep that, and then we found the new constraint turned from challenging to a liberating new visual direction.

For those who might be interested by the technical aspect of the project, here are some schematics of the setup.

3Desctruct / Le Lieu Unique
4 volumes laid with mesh; 4x 1024 30fps Video streams;
6.1 surround sound.
Visuals: YANNICK JACQUET, JEREMIE PEETERS
Music: THOMAS VAQUIE

Many thanks to Cedric Huchet for inviting us, the Lieu Unique team for helping with the construction, and everyone involved in the project.

/Yannick


Official page: http://antivj.com/3Destruct_v2/

Related posts:
- 3DESTRUCT
- 3DESTRUCT IN RUSSIA WITH ONEDOTZERO